weed spells

Dank Magic: How Witches Use Weed in Their Craft

For most people, the most quintessential image of a witch is a figure in silhouette, perched on a broomstick and flying in front of the moon. I don’t know about you, but the closest I’ve ever come to feeling like I’m flying across the moon has been when I’m stoned out of my mind.

As it turns out, this may not be a total coincidence: The history of magic and witchcraft is full of orgies, drinking, and entheogens, all used as a way to achieve a magical, transitional state of mind—one where your body may still be in the physical realm but your spirit is elsewhere, free to roam “between the worlds.”

One of the oldest, and most notable, examples of using altered states in magic is the Oracle of Delphi: For centuries, ancient priestesses of the Greek god Apollo, stationed at a temple built around a sacred spring at Delphi, would divine the future for visitors from all over the ancient world; so significant was their influence that kings would consult with them about whether they should go to war. It was generally understood that Apollo’s spirit would enter each priestess, enabling her to see the future. According to Uses and Abuses of Plant Derived Smoke, an ethnobotanical compendium on the use of smoke throughout the world, the priestess would sit on a tripod above a hole through which vapors arose, and these vapors were thought to induce her visions.

Though many researchers believe the vapors contained “a variety of potentially toxic natural gases” emanating from the ground, some hypothesize that hallucinogenic plants were burned beneath the temple and vented up towards the smoke-shrouded seer, or that the priestesses would smoke or eat hallucinogens in addition to inhaling the fumes from the earth. While many scholars theorize the Oracle burned bay leaves, since they were sacred to Apollo, others have taken it a step farther. Dr. DCA Hillman, a bacteriologist and classicist who has written about drug use in the ancient world, argues that there is evidence cannabis was traditionally burned to induce the Oracle’s trance state since bay leaves are not known to have psychoactive properties, and marijuana was already introduced to Greece from central Asian tribes who knew of the herb’s potent psychotropic powers.

The Oracle of Delphi was far from the only ancient magic practitioner to utilize marijuana in her craft: As noted in Uses and Abuses of Plant-Derived Smoke, “Members of the Gaddi tribe of India’s Himachal Pradesh State in the western Himalayas, for example, smoked the resin of female [cannabis] plants, called sulpha, for the hallucinations it induced.” Shamans and nobles from China to Russia have also been found buried with marijuana plants, denoting its sacred role.

The Oracle of Delphi. Image via Wikipedia Commons

There isn’t much evidence that marijuana was used widely during the Middle Ages in Europe—other than the fact that Pope Innocent VIII explicitly banned it—but European witches still found ways to get high. During this period, they would rub entheogens such as belladonna, henbane, datura, and mandrake on their bodies (some theorize they rubbed these substances on the broomsticks and inserted them vaginally) in order to loosen their spirits from their physical form. In the resulting hallucinations, witches were said to fly to The Sabbath, the supposed time each month when witches, demons, and even the devil himself would come together to share magical secrets, sign evil pacts, and have wild, orgiastic parties.

It’s likely that the use of these herbs in a ritual context points back to ancient cults like the Oracle of Delphi, and are one of the clearest links to witchcraft’s primordial past. As witch, historian, and teacher at Colorado State University Chas Clifton writes in the famous essay If Witches No Longer Fly, “I would argue that the danger of these recipes, combined with the centuries-long tradition of their use, is the best argument for any ‘Old Religion’ surviving from pre- Christian times. Without some sort of oral tradition of preparation and dosage, similar to that of the ayahuasca shamans of South America, the risks would be too great.” The danger he cites is real: Modern witches and non-magical people alike have been sent to the hospital—or have even died, as in the case of the English witch Robert Cochrane—from taking too much belladonna and other witchcraft-related herbs.

Magical publishing in the last thirty years has been significantly hamstrung by the way psychedelics have been used as geopolitical footballs.

So why is herbal magic—the use of weed, most notably, but also other hallucinogens—less prevalent in modern witchcraft? After all, the occult revival of the 19th century revolved around absinthe and opium dens, and the second big occult revival happened during the drug-crazed days of the 1960s and 70s. It seems like magic and getting high go pretty hand in hand.

One obvious answer is because marijuana is still illegal, even for medical use, in many states and countries. This makes it nearly impossible for occult book publishers to let authors recommend using weed as a method to achieve trance states and soul flight, even if that is their preferred method. As Gordon White laments in The Chaos Protocols, “Magical publishing in the last thirty years has been significantly hamstrung by the way psychedelics have been used as geopolitical footballs. As an author, I cannot legally advocate a reader break any laws, and publishers can, in theory, be held liable for damages arising from actions taken as described in their books.”

Still, modern witches are continuing to use marijuana in their practices, most often in solitary meditation or to help them access the spirit realm. Elizabeth DeCoursey, owner of Antidote Apothecary and Tea Bar in Brooklyn, says she typically uses weed as a meditative aid. “When I want to thin the veil and access ancient knowledge and the collective consciousness of water, the total, deep, and cellular calm I can achieve with an edible in deep trance is pretty profound,” she tells Broadly. There’s a reason weed has historical ties to magic: Having a safe, reliable way to enter altered states of consciousness can be an amazing tool in witchcraft.

Melissa Madara, a witch and co-owner of Catland Books in Brooklyn, uses weed to help focus herself during meditation, and to stop “questioning what she sees” during spirit contact. She recommends using this simple visualization as a good place to start: “You should lie on your back, focus on your deep breathing, and push your mind’s eye deep, deep into your body,” she says. “Each new breath brings in fresh air, white light, and healing energy, and each exhale expels tension, old emotions, and stress from the body.”

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Happy 4/20! For millennia, witches have been getting high to access the spirit realm and/or have orgies with the devil.

Weed Witchcraft: A Ritual with the High Priestess of Smoke


Joint in one hand, black magic in the other. I am a weed witch, The High Priestess of Smoke. Guardian of the unconscious, practitioner of the unexpected.
Be still and know that I am free.
Born of the earth and sky, conjuring magick from the smoke.
I welcome you my sisters and brothers to a new way to enjoy your sins:
Weed Magick, a blend of witchcraft and marijuana.

How you choose to use this magick is up to you but be warned, what you put out into the universe will come back to you. Smoking the holy herb is a spiritual act, one that puts you in touch with the four elements and when practised correctly can lift the veil reveal and nature’s secrets.

Collect your necessities

Small bowl of water

Small bowl of salt

Before starting

It’s important for a witch to be in the right state of body and mind before performing a spell. Make sure you won’t be distracted. Turn off your phone/TV etc although some music can actually help you get into the frame of mind for casting.

Start the circle. You need space to work in, so we create a circle. There is no need to have a physical circle to work within, however it is worthwhile to have a dedicated place where you can practice your craft. Creating your own altar is a simple and effective way to create a space for you to work in.

If you wish, you may call on the divine or or certain energies to watch over and bless your rite. These are usually connected to the elements earth, air, water and fire. A circle contains the energy of your spell until you are ready to release it. Energy can be released through burning papers or herbs, visualization, or gestures. With intention and power, send the energy toward your goal.

The first step is to grind your weed with intention. If you don’t have a grinder, get one! You may want to bless your weed before you start. Here is an old blessing that you can use.

“From earth to air, and here to there
I grind you fine, with love and care
Through pestle to essence, here I sow
From whole to powder, on mortar you go
Round and round, may your power grow
Continue to let your energy flow”

Imagine you are grinding away any negativity, bad thoughts leaving your positive and ready to work your magick.

You may want to write something with a pencil on your rolling papers. A name, a destination or even just words like positivity, strength etc

As you crumble the herb into your paper repeat a mantra as you focus your energy.
You can create your own incantation, which usually works better than using another witch’s words but you can adapt or use the one provided below:

I smoke of my sisters and brothers in the light of the high. The ancient and the new. I light from the flame with pure intention, self love and power.

You must always light a joint from a candle. (The colour of which should correspond to the spell you are casting.)

Here is a quick list of colours and what they represent:

Black: Used in rituals to induce a deep meditational state, to protect and/or to ward off negativity. Can be used to banish evil or negativity.

Blue: The primary spiritual color It’s used to obtain wisdom, harmony, inner light, or peace; truth and guidance. Other uses include healing, sleep, creativity, perception, calming wisdom, truth, loyalty, dreams, and the examination of emotions.

Green: Promotes prosperity, fertility, and success. Stimulates good luck, harmony, and rejuvenation. Also represents Healing, health, and growth.

Purple: Is used to obtain desires, power and success. Stimulates enthusiasm, desire and power. Some attempt to use it for power over others.

Red: Represents physical pleasures. It can stimulate lust, courage, or strength against enemies. Can confer passion, love, and/or respect. Stimulates energy, health, fertility and will power.

White: Protectection, purify, and heal. Represents truth, unity, protection, peace, purification, happiness, and spirituality. Some say it can be used to replace any color candle in rituals. Used for concentration rituals and meditation work.

The best time to cast a spell

You can cast a weed spell any time you like but spells are more powerful when they are cast during certain moon phases.

If you can, smoking outside under the moon is the best way to let the lunar energy add a bit of strength to your magick.

You can, of course, perform weed magick during the day, being outdoors is best but if you are indoors make sure your curtains are pulled back and open. Let the sun’s energy lend itself to your craft.

As you smoke focus your mind on what you want to achieve with this magick. Enjoy the sensation of the smoke filling your body, allow it to make you feel at peace, powerful and in touch with the elements.

Ending the ritual

One your joint is down to the end it’s time to close the circle. Add the bowl of salt to the bowl of water and repeat “The circle is open, but never broken. By the powers above, and the powers below, I close this circle” then drop your roach into the salt water mix. Your weed ritual is over.

Sky above, earth below, smoke within.

Moxie McMurder is a film critic for Welwyn Garden City and keeps a blog here.

Weed Witchcraft: A Ritual with the High Priestess of Smoke BY MOXIE MCMURDER Joint in one hand, black magic in the other. I am a weed witch, The High Priestess of Smoke. Guardian of the